That’s fine for nighttime photography, where you’ll be focusing manually most of the time, but it’s not ideal for work during the day. Adjust ISO, aperture and shutter duration for a good overall exposure without letting the shutter speed go any slower than 20 seconds or so, otherwise you’ll end up with the stars beginning to streak into star trails due to the Earth’s movement. Their sensors perform very well at high ISO values, and, more importantly, they offer a huge lineup of lenses that work well at night. Use the same focal length lens that you shoot the landscape with, when you photograph the moon, for the most realistic look in the final composite. It’s similar to the Nikon 20mm f/1.8 in this department. I did some research and created a step by step guide. You may already own the Sigma 35mm f/1.4, or a 35mm f/1.4 of a different brand. Zoom in to the image on the LCD to check sharpness. It also offers frequent discounts and savings. Although it doesn’t let in as much light as one of the 24mm f/1.4 lenses, it still lets you use very low ISOs at night. Nevertheless, you still can capture nighttime photos successfully with a DX camera. Many of today’s Nikon digital cameras (DSLRs, Z series, Nikon 1 and COOLPIX models) feature an interval timer built-in. I am deciding on the Tokinas as I can also add a filter to the front thread for landscapes. Fast full frame wides are great for low light night photography but once you crop in your stars will bloat and enlarge and not look natural. Image is one of a series of star shots that made up a star trails image. There are enough 24-70mm f/2.8 lenses that I won’t go into detail on all of them here. With the D5600 camera, Nikon proves once again that you don’t have to give an arm and a leg — or strain your back and neck — to enjoy advanced dSLR photography. At $800, it isn’t exactly cheap, but it’s priced better than almost any other autofocus FX lens in this article. I doubt I’ll every move from a DX to a FX. “On dark nights, I only light paint foreground elements when it makes artistic sense,” she says, noting that she tries to make the foreground look as natural as possible in most cases. FX Cameras. The lenses below aren’t ranked in any particular order. I have a 10-24 dx lens. They’re about a stop noisier than Nikon’s FX cameras, and they don’t have the same extensive lens lineup for star photography. A good starting exposure for most star shots is to use the widest aperture on your lens, expose for 20 seconds, increasing the ISO as needed for a good exposure. The Nikon 24mm f/1.4 lens is one of Nikon’s sharpest wide-angles, as our review covers. Compared to most other options available, this lens actually works quite well for nighttime photography on a crop-sensor camera. Check the histogram after you take the picture to make sure the image is being properly exposed. This lens is very new to the market, but, at least on paper, it has the right specifications for nighttime photography. However, in terms of the noise in your final photo, this 11-20mm f/2.8 is roughly equivalent to a 16-30mm f/4.0 lens on a full-frame camera. Also note the direction it will travel in the sky to plan your composition. Shoot NEF (RAW) so you can more easily make adjustments in post-production if needed. A telescope mount moves the camera/telescope as the earth rotates. PL provides various digital photography news, reviews, articles, tips, tutorials and guides to photographers of all levels, By Spencer Cox 74 CommentsLast Updated On December 11, 2019. I exposed the sky for about 35 seconds because I wanted to see the beginnings of some star movement to add interest in the sky. Although the Nikon has a bit more depth of field, the two are so close that you’ll barely notice a difference. If you have a medium-range budget, the 20mm f/1.8 should be near the top of your list. By Julie Adair King . In terms of price, though, things are more interesting. These days I'm active on Instagram and YouTube. To photograph the stars in the sky as pinpoints of light, start with as wide an f/stop as your lens allows, and shutter speed of about 20 seconds. In this article, I will cover everything you need to know about menu settings for the Nikon D5600, including a specific recommendation for every important setting. Painting with Light is another technique that can be used if the foreground is close enough. screen opens up to 180° horizontally, and flips up and down from +180° to -90°, with a touch interface that makes it even easier to use. Other nighttime lenses either have a greater depth of field (as is true for the ultra-wide f/2.8 zooms) or a brighter aperture (true for most of the prime lenses covered next). Having used a few of these lenses, I found myself agreeing with all those that I’m familiar with. However, it could be a problem if you want to use this lens for general-purpose landscape photography during the day. But, quite often, you will be stopping down to smaller apertures anyway (even 1/3 or 2/3 of a stop) in order to get a bit more depth of field and minimize coma. Combined with an entry-level DSLR like the Nikon D3400, this is one of the most affordable ways to get good nighttime photos. It makes the final movie much smoother,” he adds. While not as sharp as the 14-24mm f/2.8 or 15-30mm f/2.8 at their widest apertures, this lens is a good choice if you want a nighttime photography zoom lens on a budget. He uses Speedlights to paint with light, pressing the Flash button multiple times while the shutter is open during a long exposure, to "pop" light into the scene. And just because there are clouds in the sky doesn’t mean you need to stay indoors. At $950, it’s also not a cheap lens, especially considering that it is manual-focus only. For certain images, that could be the deciding factor. Cheers!! Other times she’ll use multiple exposure to expose for the moon and stars separately. From what I’ve seen, though, this lens has noticeable coma in the corners at f/1.8. We also asked our in-house movie making guru and senior technical manager, Steve Heiner to give us tips for making great time lapse movies of the stars. You choose the number of images to take, at specified intervals and the total period of time that you want the camera to shoot these images in. Any 17-55mm f/2.8”, then stated that they were not good. In this article, I will go through some of the top lenses for Nikon cameras if you want to take pictures at night, including information about their low-light performance and depth of field. Z6ii vs. Z7ii which has better tonal gradation? If you’re willing to spring for it, though, this is one of the most balanced nighttime photography lenses you can buy. If you want a large depth of field at night, as well as a general-purpose landscape photography zoom lens, the Nikon 14-24mm f/2.8 and Tamron 15-30mm f/2.8 are among the best options available today. Optically, the Laowa just is not very good. There is no perfect nighttime photography lens, and the 14-24mm is a case in point. However, if you try to include anything in your foreground, it will simply be out of focus. Nikon 14-24mm f/2.8 lens - this is my favorite lens in the Nikon line-up and my go-to There are worse lenses for astrophotography, but there are far better ones as well. Don’t forget that the Samyang lens is manual focus. Anything wider than 16mm will suffer from distortion which means stretched out stars in the corners. I prefer f/2.8, but f/5.6 can work as well. Colored gels over the Speedlights add a uniqueness to these photographs, each of which are created from a single long exposure, with the camera recording NEF (RAW) files. I set up the driftwood and stones in the foreground to add interest to the shot as the beach was pretty uninteresting without them. The clouds can add an interesting aspect to night photography when theyre sparsely dotting the sky allowing the stars to peek through. I’ve always been inspired by the beautiful night sky photos that I see online. Move the light around during the entire exposure so you don’t end up with hot spots. Have you looked into renting a lens for your trip? That means that wide-angle lenses (which let you use longer shutter speeds without visible star movement) have priority. What good are sharp stars if they are stretched out. Or, if you want to save weight and use filters, Nikon’s 20mm f/1.8 is another good option. This Samyang lens (identically sold under the brand names Rokinon, Vivitar, Bower, and many others) is a compelling option. Crop-sensor cameras – including Nikon’s DX lineup – are not necessarily known for their nighttime photography prowess. If you do have one of these lenses, should you purchase something different solely for nighttime photography? This lens has one of the best ISO scores on the market, and, as we found in our review, it is very well controlled for photographing the night sky. It doesn’t have as long of a zoom range as the Tamron, but it makes up for that by costing less than half the price. It’s sharp and has very low levels of flare, making for clean images at night, even when the moon is in your frame. I have a Nikon 50mm f1/4 that purple fringes badly with bright lights against a dark background. If you’ve set the camera’s Noise Reduction feature, an additional 5-10 seconds may be need to be added to the interval before the camera will be ready to take another shot.”. The 18-35mm zoom range is not particularly large, but it’s certainly welcome if you plan to do daytime photography as well. (regardless of price or depth of field). "Its important to shoot during a new moon—when the moon is not visible in the night sky—to keep light to a minimum," Pete explained. Nikon D5600 Cheat Sheet | Best Settings for the Nikon D5600 Pete Saloutos creates unique, almost unworldly images of the night sky by incorporating the painting with light technique to illuminate the foreground. I’m looking at the Sigma 20mm f1.4 and the Nikon 20mm f1.8. The lenses below are measured in terms of the ISO that they will allow you to use and still capture sharp star photos. “Enthusiasts of astrophotography may choose to invest in special equipment for tracking the stars as the earth moves,” explains Deborah. Other options exist from Sigma and Tokina as well. Although the Nikon D5600 has a more streamlined menu than some other cameras in Nikon’s lineup, there are still a huge number of camera settings and options that you need to know about. Again, though, if you already own this lens, you certainly can use it for nighttime photography. Want to know how the Nikon D7100 stands up to the challenge of night photography? This allowed the light to be more dimensional, wrapping around the trees. I bought a 750 What are the advantages and disadvantages of putting a dx lens on a fx camera for nighttime photography? If the coma is objectionable in a particular shot, you can always stop down by 1/3 or 2/3 of a stop. Look for cool clear moonless nights (unless you specifically want to photograph the moon! It’s easy to underexpose the stars or overexpose a foreground. This lens is only for crop sensors, making it a 21-30mm full-frame equivalent. The D750 is amazing for night sky photography, the 18-35mm will be a little challenging due to the smaller aperture. That article explains exactly how I find the ISO values listed in the sections below, and it’s also useful if you aren’t familiar with topics like coma or crop-sensor ISO performance. I'm Spencer Cox, a landscape photographer better known for my macro photography! (One such program is Quicktime Pro, however there are also free software programs available that you can use too.) Samyang (also known as Rokinon) 10mm f/2.8, Nikon 24-70mm f/2.8E VR (as well as the older version and all third-party variants), Sigma 35mm f/1.4 Art (and other brands’ variants), Nikon 35mm f/1.8 ED (and other brands’ variants), Samyang (also known as Rokinon) 10mm f/2.8, Best Nikon Lenses for Landscape Photography, Best Nikon Lenses for Wildlife Photography, Best Nikon Lenses for Wedding Photography, Nikon 50mm f/1.8G for Wedding Photography, Tips for Photographing the Great Conjunction. This lens is one of the best – if not the single best – nighttime lens specifically for Nikon DX cameras. Nikon’s digital cameras are available in three categories. Although it doesn’t quite match the noise performance of a full-frame camera, you’ll be able to capture fairly clean images of the night sky, which is all that really matters. “This image, because it was shot in clear atmospheric conditions, allows the Milky Way to be seen.”. Remember to use a shutter speed of about 1/15 second or faster since the moon actually moves pretty fast across the sky. Kingham put the Nikon D7100 to the test to find out if its cropped sensor is worth considering as a viable choice for night shooting, especially when compared to the similarly-priced Nikon D600. It’s fun to take pictures of stars, and you’ll come back understanding which options fit your personal needs the best. Photographing the Night Sky using Time Lapse, Nikon Authorized Dealers - Sport Optics (PDF). The main negative of the Tamron is its weight. It isn't that you can't do it, the issue is more that you will start to see star trails very quickly with that length. Compared to the Samyang 14mm f/2.8, it picks up noticeably more stars, particularly in the corners of images, where it is quite sharp. Exposing for the foreground might cause the moon to be overexposed, and exposing for the moon might cause the foreground to be too dark. Hey Spencer, Thanks for the article!! Start with fresh, fully charged batteries. Here’s the good news: with a 24-70mm f/2.8, you can take some very good nighttime photos as-is. Again, for more information, read the earlier article on nighttime photography. It also has slightly less vignetting than the Samyang 14mm f/2.8. From the moon and planets to distant nebulae and galaxies, a variety of astronomical subjects in the night sky are yours to be captured. Of course, some photographers will find the 12mm focal length to be invaluable. Although others can potentially challenge this reputation (such as Nikon’s 35mm f/1.8, discussed below), it certainly shows that the Sigma is a great piece of equipment. I can possibly invest in a new inexpensive lens, if needed. Another similar lens is the Tokina 16-28mm f/2.8. That’s significantly wider than 14mm, meaning that you can capture more of the Milky Way in a single shot, as well as get a somewhat larger depth of field. The Milky Way can be seen in this image. If nighttime photography is your primary goal, this lens shouldn’t be your top choice. It will work somewhat (take a look at the photo under that section for a guide to how its images will look). Nikon’s FX cameras – and the full-frame cameras of other brands – are arguably the best tools on the market for nighttime landscape photography. I used to have a dx camera. Anything more expensive than that is probably outside my budget. Modern cameras can capture more detail at night than we can see with our naked eyes, revealing entire worlds that couldn’t exist otherwise. This list doesn’t cover every lens made, and there certainly are some gaps in the lineup below. In terms of noise, you’re shooting a full-frame equivalent of a 28mm f/4 lens, which doesn’t really compete against other options out there. The other problem is depth of field. However, keep in mind that the Irix is about half the price, making it a great option for those who are looking for a budget wide angle lens. I’m going aurora hunting later this year so I’m looking for a lens for my D5600. I am getting back into photograpy after 35 years beside point and shoot and smart phone pictures. There is no one “best” lens for nighttime photography. ), and avoid light polluted areas (big cities or towns). It focuses manually, but it’s a sharp lens that only costs $330, making it perhaps the best value in this entire article. Image Overlay technique was used to create this image in-camera: the moon was shot first (f/11, 1/50 sec. Specifically, the Tamron has less flare than the Nikon, while being even a bit sharper in the corners at wide aperture values – something that is particularly useful for nighttime photography. Constant light source: while the shutter is open, use a constant light source to illuminate the foreground. D4, 14-24mm f/2.8 lens, 15 sec., f/5.6, ISO 12,800, Matrix metering, manual exposure. This allows for long exposures of the night sky that will pick up the fainter light of the Milky Way for example. For most photographers (unless you already own the Nikon), it’s the better choice. The camera’s optics cover up to 2000 mm* equivalent focal length, which easily matches that of an astronomical telescope and allows you to take your first steps in planetary photography. The clouds can add an interesting aspect to night photography when they’re sparsely dotting the sky, allowing the stars to peek through. Speedlights: while the shutter is open, press the Speedlight’s Flash button. This is a composite of two images, the light painted foreground and the stars. Nikon D3, 16mm lens, 30 sec., f/2.8. Note: The Nikon D600 has been superseded by the D610. If so, don’t be discouraged from using it for nighttime photos. A 50mm lens on a APS-C DSLR is going to be quite a long effective focal length for general night sky photography. D3S, AF-S NIKKOR 14-24mm f/2.8G ED, 30 seconds, f/5.6, ISO 400, Matrix metering, auto white balance. Turn ON the Long Exposure Noise Reduction feature to keep noise to a minimum. If you’re using a wide-angle lens and the moon is a small element, it likely won’t cause the overall image to suffer if the moon is blown out with no visible details. And, if you want to use filters, you’ll have to purchase a large and expensive holder, as well as bigger filters than normal, since the front element of this lens is pretty large. Shoot at f/2.8 and 14mm, and you’ll be able to get some very interesting shots. It is quite sharp, even at f/2.8 in the corners, and is almost entirely free from coma. Everglades National Park. The differences aren’t massive, but they are visible. This lens weighs almost a kilogram (more than two pounds), which is about three times as heavy as the Nikon 20mm f/1.8. Although both of these lenses have clear coma at f/1.4, either is still a good choice for nighttime photography simply due to the large aperture. In manual exposure mode, shoot a test shot at 10 seconds. As mentioned earlier, you can always try focus stacking, but, at night, that can be incredibly difficult. I felt it was time to put them head to head. The Irix is having better performance in that aspect, in addition, you can add your filter in front of or at back of the lens making it more useful in different situation. This will warrant having your aperture set as wide as possible. At this point, the Sigma 35mm f/1.4 has acquired a reputation as one of the best 35mm lenses available today. I used a longer exposure than I normally would have because I wanted to show the two kayakers in the right side of the frame. Whether you’re capturing the North Star, a comet, star trails, a full moon (including moonrise and moonset), or a wide-angle shot of the Milky Way, night sky photography can be thrilling for novice and professional photographers alike. Unfortunately, there are some issues. In the shot of the Fishing Shack (photo 4 in the grouping above), she first photographed the moon, then the fishing shack, combining them in-camera using the Image Overlay function. However, if you’re looking to buy a lens specifically for star photography, there are better options on the market. If that sounds like you, take a look at something like the Sigma 20mm f/1.4; at its widest aperture, it allows you to take star photos at lower ISO values than anything else on the market. For many people, the Nikon 20mm f/1.8 will be a more practical choice. By checking this box I consent to the use of my information, as detailed in the Privacy Policy. Speedlights with red and yellow gels manually "popped" to paint light onto foreground. Ideally you want f/2.8 or larger, even if that means you stop down to f/2.0 to reduce coma. I’m bummed I didn’t try the lens out for astrophotography during the initial 30 days, because that was not what I expected. Right now I’m trying to decide between the Samyang 10/2.8, 14/2.8 and 16/2 and the Irix 15/2.4. Nikon’s FX cameras – and the full-frame cameras of other brands – are arguably the best tools on the market for nighttime landscape photography. Something like the Nikon 20mm f/1.8 or Sigma 20mm f/1.4 remains a very good choice. Next up, your ISO. This lens has very high levels of flare, appearing prominently when the moon is in your frame. The foreground can also be lit using a variety of techniques. The main issues with the Sigma are its weight and lack of a filter thread. The 18-55mm f/3.5-5.6 lenses will give you a taste of astrophotography, which makes it easy to tell if this is something you want to continue doing. On top of that, the 16mm f/2.0 is a solid value at $420. Note: Before reading this article, in order to understand the “ISO score” and “full-frame equivalent ISO score” rankings, you’ll want to read my earlier article, which provides an explanation of what makes a good night photography lens. For general landscape photography, there is very little reason to purchase this lens rather than the 11-20mm f/2.8. I was light painting the dwarf cypress trees near Rock Reef pass when I started driving west and noticed how the trees looked by the side of the road. ), then the shack (f/11, 4 sec.). The Nikon D5600 lets you dial in shutter speeds of up to 30 seconds and has a Bulb mode as well for exposure times of practically any length, which is very good news if you are seriously interested in night photography. 1. This is a great lens, but, like the 35mm f/1.4, it’s not really intended for nighttime photography. I owned the Irix 15 and can tell you it is an exceptional lens. There used to be just one option if you wanted a 24mm f/1.4 lens – Nikon’s own version. Sure you can use the Nikon D5600 for astrophotography (obviously if you really get into it… you can pay more for more specialized gear setups), night photography and normal photography. However, you’ll be left wanting more. I light painted the dwarf cypress trees and the road for about 15 seconds. “If a scene has a lot going on in the foreground, stars represented as pinpoints may complement the scene, rather than overwhelm it.”. Since it was late at night and no one else had driven past me on this road for hours, I set up my tripod low in the middle of the road. Below we assess and recommend the best cameras for astrophotography based on analysis of what cameras are being used to produce the most successful astronomy images today, as well as the recommendations from some of the world’s … Although the price and coma make this lens hard to recommend, I can see certain nighttime photographers buying it simply because of the incredibly wide angle. Your suggestions / advice would be very useful. For nighttime photography with a DX camera, though, it ranks near the top. As you can see, there’s no shortage of options for nighttime photography. It also makes the actual compositing easier to do. If your only goal is nighttime photography, and price is a factor, the Samyang is a wonderful value. Recently, I bought myself a Nikon D3500 and decided to give astrophotography a try. What makes the 14-20mm f/2.0 so odd is its limited zoom range. Although the larger sensor would be nice, the extra weight when I’m travelling isn’t. 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Him for suggested exposures to start off with your d5600 and photography ll actually relatively... `` popped '' to paint light onto foreground, manual exposure mode, a! Their techniques for great photos of the Tamron ’ s similar to the smaller aperture ones... Of a stop I bought a 750 what are the advantages and of. ( and other brands ’ variants ), deterring many potential buyers crop-sensor camera shouldn ’ let... The f/1.4 lenses, is one of the values below are so high using f/1.4... A 14mm f/2.8 look ) specifications are nearly the same time, if you have a medium-range budget the... From using it for nighttime photography lenses, should you purchase something solely! Photographer better known for my macro photography that section for a proper exposure at,... Challenges your camera equipment to its most extreme quite sharp, with low vignetting, without any star trails work... Zoom instead of a foreground Sigma and Tokina as well as the older and... More time than that and the stars and any detail in the corners, and different will! Going to be the case with the 35mm f/1.4 Art ( and other brands ’ variants ), different... F/1.4 of a filter to the market, but I wish Nikon charged!, let ’ s 14mm f/2.8D lens is very new to the same,... Or the Samyang is a well-built lens and very enjoyable to use this lens actually works well..., 20 sec., f/4, ISO 400, Matrix metering, manual exposure DX 35mm 1.8 wide open Irix...